From Kay Unger, this dress features:Mikado fabricationA-line silhouetteV-necklineCap sleevesPeony bouquet printSide seam pocketsOverlay blouson chiffon bodiceIllusion keyholeBeltedFully linedStraight hemlineCenter back zip closureApprox. 54#double; lengthPolyesterDry cleanImported.

Ermanno Scervino Fall 2025: Real Power Dressing

Versace Odissea slip-on Sneakers Black

New Season Versace Kids Tartan Love Teddy dress set Highlights navy blue rear button fastening embroidered motif Peter Pan collar matching bloomers Composition Fabric 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Read Manufacturer Guidelines The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 26641590 Brand style ID: 10179451A12843

Saint Laurent plunging V-neck mini dress Saint Laurent is recognised for its Parisian influenced romantic designs. This mini dress speaks to this vision with its all-over floral print and a plunging V-neckline that stops at a twisted detail. Made in France The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Outer: Silk The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size 34 Product IDs FARFETCH ID: 18396325 Brand style ID: 701248Y6E71

It was a tale of two collections. On one side, there was sculptural tailoring, luscious knitwear, and clothes meant for movement. On the other, corsets, black lace and skimpy bra tops, totally out of tune with modern times. Ermanno Daelli loves dressing women and “exalting” femininity. “I couldn’t imagine doing anything else,” said the designer as he greeted one of his early – and favorite – models, Natalia Vodianova, backstage before the show. He described the collection as a play between masculine and feminine with lots of classic fabrics – check, herringbone and houndstooth – in addition to shearling and leather. You May Also Like So much of it was spot-on, from the hourglass jackets layered over short dresses, to the trouser suits with long coats in gray or powdery yellow, to the lineup of leather and shearling jackets. Knitwear was strong, too, and came in the shape of ribbed sweater jackets with fluffy collars, languid sweaters with lacing up the sides, and the cocooning, cable knit sleeves on a long, navy blue coat. There was even a long, cozy-looking white knitted dress that should give new meaning to après-ski fashion. Evening looks were just as easy. The designer paired a sheer fluttery gown, and a black velvet minidress, with flat mary janes, and layered sweater-jackets over long, embellished dresses. In between, there were also a lot of corsets. One was pinky-beige and layered under an elegant gray suit, another was knitted with a zipper at the back, while another still was fashioned from leather. At one point, the corsets gave way to little bra tops made from wool fabric and edged in black lace. Daelli loves a corset, and often uses the shape to underpin his gossamer dresses and tailored suiting. But the full-on, corset-as-top is making these collections look out-of-touch, trapped in a 1950s Sophia Loren film, a Guess ad from the 1990s, or a Halloween costume catalogue. Sexy witch, anyone? This designer knows exactly what women want and need in their wardrobes, and he delivers it season after season. So with Gen Z practically bra-less, and older generations embracing feather-light shapewear, it’s time for Daelli to get real, shift his gaze, and deliver the sort of clothing that truly empowers women.

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